Michael White

Micheal White is a lecturer in the History of Art Department at the University of York.

Publications

Books
White, M., De Stijl and Dutch Modernism, pp.176, Manchester: Manchester University Press, 2003

Books in progress
White, M., Mondrian, London, Phaidon Press, under contract, manuscript completed

Edited Books
Theo van Doesburg, What is Dada??? And Other Writings (translated and introduced by Michael White), pp. 95, London: Atlas Press, 2006

Chapters in books
White, M., ‘Mechano-Facture: Dada/Constructivism at the Bauhaus’ in Achim Borchardt-Hume ed., Albers and Moholy-Nagy: From the Bauhaus to the New World, London: Tate, 2006, pp.79-84
White, M., “Abstraction, Sublation and the Avant-Garde: The case of De Stijl” in Scheunemann, D. (ed.), Avant-Garde and Neo-Avant-Garde, Amsterdam: Editions Rodopi, 2005, pp.77-90 White, M., “Nietzsche and the Artist” in Smith, P. and Wilde, C. eds., A Companion to Art Theory, Oxford: Blackwell, 2002, pp.183-195 Chapter in book (forthcoming)
White, M., ‘The blasphemous image and the trial of George Grosz’ in Daniel McClean (ed.), The Trials of Art, London: Ridinghouse, due to be published February 2007 Articles
White, M., ‘Dreaming in the Abstract: Mondrian, Psychoanalysis and Abstract Art in the Netherlands’, Burlington Magazine, vol.CXLVIII, no.1235 (February 2006), pp.98-106
White, M., “Johannes Baader’s Plasto-Dio-Dada-Drama: the Mysticism of the Mass Media”, Modernism/Modernity vol.8, no.4 (November 2001), pp.583-602
White, M., “Spiritual Hygienists: Van Doesburg, Teige and the concept of progress”, Umeni vol.XLIII, no.1 / 2, 1995, pp.63-65

Other works
White, M., “Steven Foy: The Isolation Series” in Isolation. Steven Foy, (London: Beardsmore Gallery, 2003), n.p.
White, M., “Willi Soukop” in Curtis, P. (ed.), Sculpture in Twentieth-Century Britain. Volume II: A guide to sculptors in the Leeds Collections, Leeds: Henry Moore Institute, 2003, pp.326-7 White, M., “Artist and Model” (review article of Carel Blotkamp Mondrian: The Art of Destruction) Oxford Art Journal vol.19, no.1, 1996, pp.111-113

Other works (forthcoming)
White, M., ‘Russian Berlin: A new map of the avant-garde’, Leeds, Henry Moore Institute, Essay series, manuscript accepted Exhibition Reviews Musée d’Orsay, ‘Mondrian de 1892 à 1914, les chemins de l’abstraction,’ The Burlington Magazine vol.CXLIV, no.1194, pp.570-571 Kröller-Müller Museum, ‘Theo van Doesburg. Painter, Architect, Poet’, The Burlington Magazine, vol.CXLII, no.1168, July 2000, pp.461-462

Book Reviews
John Golding, ‘Paths to the Absolute’, The Burlington Magazine, vol.CXLIII, no.1176, pp.169-170
Joop Joosten and Robert Welsh, ‘Piet Mondrian. Catalogue Raisonné’, The Burlington Magazine, vol.CXLII, no.1165, April 2000, p.240
Carel Blotkamp, ‘De verevolgjaren van De Stijl’, The Burlington Magazine vol.CXL, no.1147, October 1998, p.699